RESCUERS: STORIES OF COURAGE:
TWO COUPLES

| Johtje Vos | Dana Delany |
| Aart Vos | Martin Donovan |
| Hendrick De Vries | Jan Rubes |
| SS Lieutenant | Hugo Haenen |
| Ginkel | Tom Jansen |
| Kurt | Nigel Bennett |
| Johtje's Mother | Marilyn Lightstone |
| Herkos | Harry Spiegel |
| Hetty | Hayley Lochner |
| Barbara | Cayda Rubin |
| Peter | Michael Seater |
| Alice | Nicole Zarry |
| Nap | Michael Vierea |
| Rebecca | Carly Wijs |
| Simon | Richard Clarkin |
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Copyright 1997 ShowtimeNetworks Inc. "Aart and Johtje Vos" It's 1940 in Holland, and while the country is in the threes of Nazi invasion, Johtje Vos, the granddaughter of a former Dutch prime minister, marries a simple farmer named Aart Vos. Unfortunately, their wedding reception is interrupted by a snooping SS Lieutenant and the local Dutch police chief who are searching for three escaped Jews. Painfully aware that two Jewish musician friends are at the wedding, Johtje fearlessly defies the Nazi and his collaborator friend, insisting they leave the party. Her regal bearing is every bit the match of the SS lieutenant's Aryan smugness. Nevertheless she has made a dangerous enemy who promises to return at will. "I will come and go as I please," he says, casually pointing a pistol at Johtje. The threat proves almost a challenge to the Vos', who, during the course of the war, take in 35 Jews, artists and political dissidents and seem to thrive on the cat-and-mouse game they play with their Nazi tormentor. But this is no game. The sanctuary they provide demands intricate planning and unimaginable risk-taking. They even wind up digging a tunnel behind their house that will enable the Jews to escape into the forest if endangered. They must do all of this to obtain the food, medicine, documentation and ultimate escape for their charges that are vital to their survival. Their guardianship also tests their love and the children they bring to it from previous marriages. The strain reaches a snapping point as their privacy disappears in the midst of a houseful of guests who never leave. One child bitterly resents her parents' preoccupation with the Jews at her expense. While their courage and commitment in the face of an ever-present Nazi menace is unquestioned, the crux of their story is how they managed to sustain and increase their love against the gravest of odds. |
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| "Rescuers was great fun because we shot it in Amsterdam. It's always fun to shoot in different locations, and especially in a country where English is not the language. And what is really amazing about Amsterdam is that it hasn't changed, really, since the war. The crew would move in, put up a few swastikas, and bingo!, time travel. It was very spooky. But the people were wonderful, and treated us with a sort of resigned tolerance, like naughty children whose game had got a little out of control. And then there were the "Brown Cafes"! All in all, it was wonderful." |
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This page last updated November 22, 1998